![]() ![]() Mario and Peach are supposed to be rushing to defend her realm from Bowser's invading army, but these pointless sequences remind us that no one is in any hurry to get anywhere. They slow the film to a standstill every time. Rather than moving along the plot, the directors keep making the characters run around gravity-defying aerial assault courses, or drive racing cars along a rainbow, just because that's what happens in the games. What's worse is that the film doesn't just have quick references to these games, it has long sequences lifted from them. It becomes clear at this stage that the directors have given up on making a cartoon which anyone might enjoy, and have concentrated instead on piling on references for the benefit of the games' devoted fans. The trouble starts when Mario is suddenly surrounded by floating bricks, giant gold coins, "Power Up" cubes, and burbling electronic sound effects, which only make sense in the context of a video game. But after a few scenes, this bamboozling plot outline is the least of the film's problems. As long as you don't worry about it, and embrace the psychedelic randomness, you can accept it as silly, what's-not-to-like science-fiction. The Super Mario Bros Movie has the kind of baffling, nonsensical mythology you might expect when a Japanese game company creates an Italian-American plumber from Brooklyn, and then keeps developing that character's adventures for 40 years. To the untrained eye, it looks as if he and his army are so strong that they could have conquered it, anyway, but never mind. By a remarkable coincidence, the brothers arrive on this surreal planet (or, possibly, in this surreal universe) just after Bowser has just got hold of a glowing star which will enable him to conquer Mushroom Kingdom. ![]() ![]() But poor Luigi is captured by the monstrous Bowser (Jack Black), who has a name which suggests that he's a dog, and a physique which suggests that he's a dragon, but who is actually the leader of a race of turtles called Koopas. Mario is deposited in the fairy-tale Mushroom Kingdom, where cheerful talking fungi are led by a Barbie-like blonde called Princess Peach (Anya Taylor-Joy). The pipe zaps them both to another planet, or possibly another universe. And the computer-animation is impressively advanced, the only snag being that the textured surfaces of every object are almost photo-realistic, which makes the simplified, rounded Mario and Luigi look like walking cuddly toys in comparison.Īnyway, one night the brothers investigate a flood, which is never explained, and find a magical pipe, which is also never explained. There's an amusingly chaotic set piece in which a tap-fixing job is sabotaged by an embittered dog. There are some sly nods to the games, and some witty explanations for the characters' more questionable qualities: their white gloves are a marketing gimmick, Mario tells his sceptical family, and their exaggerated Italian accents are put on for a TV advertisement. Mario (Chris Pratt, who, as well as starring in Guardians of The Galaxy and Jurassic World, voiced the hero in The Lego Movie) and his nervous younger brother Luigi (Charlie Day) are established as good-hearted, bushy-moustached young guys who are trying to build their own independent plumbing business. Another disappointing aspect is that the early scenes set in Brooklyn are promising. The disappointing part is that the missable new cartoon is directed by Aaron Horvath and Michael Jelenic, the makers of the brilliantly zany Teen Titans Go!, but every 10-minute episode of that series had more ideas in it than the whole of their film. Unfortunately, The Super Mario Bros Movie is not one of those films. And another recent release Dungeons and Dragons: Honour Among Thieves proved that films adapted from games could be plenty of fun, whether or not you're familiar with the games in question. Wreck-It Ralph demonstrated how clever a cartoon set in a video-game milieu could be. True, 1993's Super Mario Bros, with Bob Hoskins and John Leguizamo, was a notorious flop, but The Lego Movie was tied to a line of plastic construction sets, and that was wonderful. But even if you've never played a single video game, there is no reason why a Mario film shouldn't be worth seeing. Mario the plumber has been one of the most beloved characters in the history of video games ever since he was first seen jumping over barrels and running up girders in Donkey Kong in 1981. ![]()
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